小川洋子（Yoko Ogawa） 1962年出生于日本冈山县，毕业于早稻田大学。1988年凭借《燕尾蝶受伤时》获得海燕新人文学奖出道。1991年，作品《妊娠日历》获得第104届芥川奖。1997年，小说《爱丽丝旅馆》入围泉镜花文学奖。2004年，长篇小说《博士热爱的算式》 获得读卖文学奖、书店大奖，轰动一时。2005年，作品《无名指的标本》在法国改拍成电影，引起强烈反响。2006年，《米娜的行进》摘得谷崎润一郎奖。 小川洋子是继村上春树和大江健三郎之后，在《纽约客》发表作品的日本作家第三人。

“她叫奚梦，以后就是你的妹妹了。” “妹妹？” 似曾相识的感觉袭来。奚遥陷入了回忆的深海...... 奚梦，奚梦，奚梦。 这是女孩的名字。是她新的归宿。 女孩第一次拥有了称作“家人”的东西。 但是，这只是暂时的。 ...

This collection of stunningly beautiful poems encompasses the natural, human, and spiritual realms, and is bound together by the universal themes of time and mortality. With clarity and sureness of craft, Gluck's poetry questions, explores, and finally celebrates the ordeal of being alive. 1992 National Book Award finalist.

The poems in this collection are written in the language of flowers. It is a lieder cycle, with all the mournful cadences of that form. It wagers everything on the poetic energy remaining in the old troubadour image of the spring, the Biblical lilies of the field, natural resurrection.

This collection of stunningly beautiful poems encompasses the natural, human, and spiritual realms, and is bound together by the universal themes of time and mortality. With clarity and sureness of craft, Gluck's poetry questions, explores, and finally celebrates the ordeal of being alive. 1992 National Book Award finalist.

一個在自家旅館工作的女孩麻裏被一個中年的俄語翻譯深深吸引了，她着迷于他的聲音，他的儀態和他的神秘。麻裏背著自己的母親偷偷地與這個中年男人約會，一步一步陷入了一段不能自拔的戀情。有一天，中年男人把麻裏帶到他居住的一個孤島上面，或許原本麻裏期待的是一場浪漫的約會，可等來的卻是中年男人的性虐。經過那晚的疾風驟雨后，麻裏雖然害怕，卻更不能離開那個中年男人了。他們一次又一次的在那個小屋裏進行著他們的遊戲。麻裏漸漸知道，中年男人的妻子死于一次意外，她開始懷疑是不是這個男人失手用圍巾把自己的妻子勒死。這個疑問一直存在于她的心中，直到有一天，她在男人的家裏見到了他的外甥。他是一個啞巴，確切地說是一個沒有舌頭的人，他在大學學習建築，在麻裏眼中，中年男人很愛他的外甥，這種愛讓她感受到原本屬於自己的愛被剝奪了。有一次，麻裏在沙灘上遇到了正在做素描的他的外甥。他們用紙條傳遞...(展开全部)

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumours and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Fern...(展开全部)

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumours and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Fern...(展开全部)

The Witch is dead. And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor e...(展开全部)

Inspired by a real event of the murder of a woman in rural Mexico, Hurricane Season takes place in a world filled with superstitions and violence-violence that poisons everything around. The Witch is dead. After a group of children playing in the murky waters of the irrigation canals discover her decomposing corpse, the village is rife with rumours and suspicions about the murd...(展开全部)